Native American Horse Fetish from Jeff Bridgman


Fetishes are Native American representations of animal symbols, typically carved of wood, stone, antler, shell, or bone. The particular animal chosen represents the spirit of the animal or forces of nature. Usually made for good luck and possibly carried for personal protection, they may also have been made to bring good harvest or success on the hunt, or to diagnose or cure illness, and may have been used in ceremonial initiations.

Made circa 1880-90, this particular fetish is pieced and sewn from hide and cloth in the form of a horse, decorated with beadwork in patriotic colors that includes American flag imagery. Patriotic symbols are quite unusual on a fetish. Perhaps this one was made by an Indian for a white soldier. Generally it was mounted cavalry that served in the west and there was much alignment between certain native Americans and the white man. In the Indian language of symbolism with regard to fetishes, the horse was a healer, so the selection of this figure may have served dual purpose.

Calling all Lepidopterists


A person who collects and studies butterflies is a lepidopterist. Lepidopterology - also lepidoptery - is the branch of zoology dealing with both butterflies and moths. Lepidopterists capture butterflies, which are then euthanized in jars with chloroform and pinned to a display board that is typically made of foam or cork. The wings of the insects are extended for best viewing of shapes and colors and carefully fastened to the board with long, thin pins, much like needles. The butterflies are then labeled, often with both their scientific names and common names, and the board is placed in a display cabinet to preserve the insects.
While this branch of entomology is entirely legit, there are more cruelty-free ways of appreciating the beauty of these fascinating creatures, made even more poignant by their often too-short lifespan. Case in point: these amazing butterfly pins, which will be on display this coming October.


Victorian Butterfly Brooch (left)
from Lang Antique & Estate Jewelry
Crafted in silver over yellow gold, this colorful Victorian butterfly brooch is adorned with beautiful gem-set wings and body. Sapphires, rubies, rose-cut diamonds, and pearls all glisten throughout the openwork piece, topped off with tiny emerald eyes. A delightful nature-inspired jewel, circa 1885, with a 1 3/8 inch wingspan.

Antique Butterfly Brooch (right)
from Lang Antique & Estate Jewelry
Spring is always here with this delightful and very colorful butterfly brooch, hand fabricated, circa 1890, in silver over gold with a glittering array of diamonds, rubies, sapphires and a golden zircon in the center. She boasts a 2 inch wing span and the pin is removable so it can be worn as a pendant necklace. Not unusual, there is one garnet and a few synthetic stones mixed in.

Georgian Agate Butterfly
from Lang Antique & Estate Jewelry
A wonderful antique butterfly pin composed of multi-colored agates in subdued earth tones enhanced with delicate granulation work around the edges. A lepidopterist's dream. 1 1/2 inches across by 1 1/4 inch tall.

Sapphire & Diamond Butterfly Brooch
from 66Mint – Fine Estate Jewelry
18Kt Blackened White Gold Butterfly Brooch with a total of 3.71cts of Earth tone Colored Sapphires and 9 Diamond Accents for a total approximate weight of 0.18cts. Brooch weighs 9.3 grams, and measures 1.5″ wide x .75″ tall.

Circa 1890s, American, Antique Diamond & Enamel Butterfly Brooch
from Lawrence Jeffrey Estate Jewelers
This extraordinary 14k antique diamond and enamel butterfly brooch is a superlative example of American Art Nouveau jewelry. Glowing enamel and bright white diamonds adorn the textured gold wings of this naturalistic pin. 

Private Collections Art Tour Gets Ready for Another Great Year


This March, seven of San Francisco's most notable art collectors will open their homes to the public for Private Collections, an annual spring art tour benefiting Enterprise for High School Students. Private Collections, now in its 16th year, offers a chance to experience prestigious art collections brought to life through the context of dwelling and through stories of the relationships collectors have developed with the artists, gallerists and curators.

A group on a home tour during Private Collections 2014

Lenore Pereira and Richard Niles' collection of contemporary works by women artists kicks off the event with the Masterpiece tour. Their home, designed by Ogrydziak/Prillinger Architects, has won architectural design awards. Reflecting the Niles family's strong feminist culture, their collection includes work by Louise Bourgeois, Kiki Smith, Sue Williams, Roni Horn, Tracy Emin and Jenny Holzer as well as local and emerging artists. 

After the Masterpiece tour, ticket holders will gather at Stephanie Breitbard Fine Arts gallery in Jackson Square for a lovely evening of wine and hors d'oeuvres in celebration of Private Collections and Enterprise for High School Students.

On March 16th, ticket holders will take a tour of one of six of the following house collections: Clare and Dan Carlevaro; David Fraze and Gary Loeb; Kate Harbin and Adam Clammer; Ann Hatch and Paul Discoe; Jessica Silverman and Sarah Thornton; and Kirsten Wolfe and Andrew Brown. The collections offer a breadth of genres, including contemporary prints, Bay Area Figurative works, photography, 20th century Modern masters and concept-driven art by emerging artists.

Private Collections 2011, The Francis Mill Collection, sculpture by Manuel Neri

After the tours, art enthusiasts come together for a party at Ascent Private Capital Management of U.S. Bank. Their stunning space exhibits a revolving art collection curated by gallerist Elizabeth Leach. Their current exhibit celebrates the Bay Area's rich tradition of fine art printmaking by highlighting three highly regarded local presses: Magnolia Editions, Paula Bott Press, and Crown Point Press. Recent collections at Ascent include works by David Hockney, Jim Dine, Alex Katz, Peter Phillips and Andy Warhol.

For more information or to purchase tickets, visit

Private Collections 2015

2016 Honorary Chair, Jay Jeffers, at a Private Collections party.

Private Collections 2011

Patrons at Private Collections 2015

Private Collections 2014. The Francis Mill Collection

Time Well Spent at the 2015 San Francisco Fall Antiques Show


As we begin 2016, The Fall Antiques Show reflects on a wonderful year of tradition and transformation. The Show's theme of Time After Time upheld its 34-year long tradition of immersing its patrons in a journey through history marked by beautiful objects and the stories they hold. With the addition of the Eventbrite ticketing system and a re-vamped website, the 2015 Show embraced change to ensure the preservation and appreciation of antiques and decorative arts in the digital age. We are excited for the coming year and the new memories that objects presented by our world-renowned exhibitors will generate for generations to come. 

Our 2015 exhibitors came from around the world to offer their exquisite art and antiques:

American Furniture and
Decorative Arts
Almond + Company
American Garage
The Ames Gallery
Clive Devenish Antiques
Colonial Arts
Jeff R. Bridgman American Antiques
Roberto Freitas American Antiques                  
Yew Tree House Antiques
Asian Art
The Cicero Collection
Galen Lowe Art and Antiques
J.R. Richards
English and Continental Furniture
and Decorative Arts
Carlton Hobbs LLC
Clinton Howell Antiques
Daniel Stein Antiques, Inc.
Finnegan Gallery
Foster-Gwin, Inc.
Il Segno del Tempo
James Sansum Fine and Decorative Art
Jayne Thompson Antiques
Lebreton Gallery
Michael Pashby Antiques
Steinitz Gallery
T. Reggiardo Antiques
Vandueren Galleries, Inc.
Jewelry and Silver
Arthur Guy Kaplan Antiques
Gallery 925
Lawrence Jeffrey
Past Era Antique Jewelry
David Brooker Fine Art
Joel B. Garzoli Fine Art
John Berggruen Gallery
Montgomery Gallery & Modern
William A. Karges Fine Art
Janice Paull
Jesse Davis Antiques
Richard Gould Antiques
Textiles and Rugs
Doris Leslie Blau 
Kathleen Taylor, The Lotus Collection

Peter Pap Oriental Rugs

Photography, Works on Paper and Books
Arader Galleries
Carlson & Stevenson
Hayden & Fandetta Books
Isaac & Ede
Peter Fetterman Gallery
The Philadelphia Print Shop West
Ursus Prints
Tribal Art and Antiques
Joel Cooner Gallery
KR Martindale Gallery                                         
Patrick & Ondine Mestdagh
Thomas Murray Asiatica-Ethnographica             
William Siegal Gallery

J.R. Richards Gallery

Mallett Antiques

Steinitz Gallery 

William Siegal Gallery

Carlson & Stevenson Antiques

Lebreton Gallery


Opening Night Preview Gala 

The opening night Preview Gala, sponsored by Sotheby's International Realty, was a huge success, drawing in over 1,800 guests to Fort Mason’s Festival Pavilion, with cocktails, caviar, fabulous dinner and a first pick at some of the world’s finest art and antiques. The Grand Entrance Hall set the stage with an exquisite timeline of designer vignettes created in a shingle style by the award winning architecture firm, Ike Kligerman Barkley and designed by Designer Circle members, Fisher WeismanAllison Caccoma and Geoffrey De Sousa Interior Design

Using de Gournay wallpaper artfully crafted in collaboration with the designers as their backdrops, each vignette told a story of a moment in time by incorporating hand-selected pieces from exhibitors' collections. 

Cedar shingle porches by Ike Kligerman Barkley frame the Designer Vignettes

Fisher Weisman's "Midnight Tea in the Garden of Antiquity"Fisher Weisman's "Midnight Tea in the Garden of Antiquity" 

Allison Caccoma's "Lounging in the Reflection of the 18th Century" 

Geoffrey De Sousa's "Passagem do Tempo"

Champagne bubbled and cocktails stirred throughout Festival Pavillion as old friends and new partied it up at San Francisco's most anticipated social event of the year. Pacific Chamber Jazz set the ambiance in Café Girandole, where McCalls Catering dished out lamb chops, Guinness braised meatballs, snapper ceviche tacos, sushi, creamy risotto, and smoked salmon on top of an endless array of decadent hors doeuvres. Carts of dessert, including bread pudding, gelato, and mini donut and milk shots, roamed the Show to delight guests as they partied and shopped. 

In addition to the endless smorgasbord, 26 bars were located throughout the Show, crafting cocktails and pouring Napa Ridge Wine. Six stations served up Hangar 1 Vodka with caviar and toast. A dedicated Tequila Partida bar mixed fresh, truly sensational top shelf margaritas.

Exhibitors shared their knowledge of the history and design of pieces for sale with collectors eager to learn about how a piece was created and used in its time, and about the people who may have once owned them. Objects on the floor ranged from antiquity to the mid-20th century.

The opening night gala in full swing!

McCalls Catering at their finest in front of an exquisite rug from Peter Pap

Suzanne Tucker, Tom Kligerman & Jonathan Rachman taking a selfie with friends

Caviar and vodka shooters are a must!

A huge thanks goes to our Show Chair, Suzanne Tucker, for her dedication, passion, and expertise, and her incredible gift of time and talent in helping to create this year’s Show. Many thanks also go to our wonderful patron chairs and volunteers for their support and enthusiasm.

Trevor and Alexis Traina, Benefactor Chairs

Suzanne Tucker, Show Chair, and Summer Tompkins Walker, Aficionados Chair

Allison Speer, Connoisseurs Circle Chair with Alison Pincus, and Susan Niven

Events at the Fall Antiques Show

Weeks before opening night, Brooks Brothers kicked off the Show with a fabulous launch party in their Union Square store with an insightful talk with Jay Jeffers, Chair of the Show's Designer Circle, and Diane Dorrans Saeks. The Battery hosted another wonderful event for Young Collectors members, where three Christie's art and antiques specialists discussed current collecting trends.

 The night before the Preview Gala, a sneak preview took place at the exclusive Designers Circle Reception, sponsored by California Home + Design. With the finishing touches still in the works, and nothing yet for sale, our designers had a chance to take in the exquisite pieces that would be showcased in the following days. Events continued throughout the Show days, including the Lecture Series sponsored by Paragon Real Estate Group, Cambria, Coupar Consulting, and The St. Regis San Francisco, and Book Signings in the Authors' Alcove sponsored by Luxe Interiors + Design and Cosentino. Lectures featured designers Bunny Williams and Brian McCarthy, Hutton Wilkinson, Flynn Kuhnert and Jeffry Weisman, Priscilla Wright of Hollyhock, Countess Marie St. Bris, jewelry designer Andrew Prince, and architects John Ike, Tom Kligerman and Joel Barkley, who were also honored by the ICAA at their annual lunch at the Show.

Guests at the Cocktail Hour Panel Series, sponsored by Wilmington Trust and SFC&G, sipped wine while listening to Fine Arts Museum of SF's Curator of European Decorative Arts and Sculpture, Martin Chapman, along with designers Allison Cacomma and Geoffrey De Sousa, speak on the principals of refined design and craftmanship and the legacy of Breguet timepieces, moderated by Alisa Carroll of SFC&G; in addition to a talk on "Living with Art and Antiques" with Andrew McVinish of Christie's, Lindsay Shook of California Home + Design and moderated by Kemp Stickney of Wilmington Trust.

Connoisseurs and Collectors Circle patrons enjoyed a lovely luncheon hosted by Bonhams in the Room with a View, overlooking the show floor and the San Francisco Bay and Golden Gate Bridge.

At the Young Collectors Evening, sponsored by RubyLUX, San Francisco's budding patrons of the arts were celebrated with wine, bubbly, and the classic swing sounds of The Klipptones. Those in attendance were given specialized tours tailored to areas of interest and learned about affordable pieces for sale that were perfect for starting a collection. 

Young Collectors admire the vintage photographs at Petter Fetterman Gallery on the Jewelry and Photography tour

The Klipptones kept the beat at the Young Collectors Night

John Ike, Thomas Kligerman, and Joel Barkley sign copies of their book, The New Shingled House, in the Authors' Alcove

Loan Exhibit: Time After Time

This year's Loan Exhibit featured antique timepieces that explored the way in which we tell time has evolved since the 18th century. As the exhibition's curator, Philip Bewley, explains, each timepiece displayed "has the opportunity to tell the story of the concerns and ideals of the period: of shifting taste; and political, econmic and cultral events; and how concepts of time itself is shaped by technological and scientific innovation."

Sponsor Shreve & Co. lent the exhibition their world-class collection of antique timepieces, including an 18th-centiry George III chatelaine decorated with small portraits and fitted with a key wind watch, fob, and seal.

Also among the collection were hand-selected pieces from Exhibitor's collections, including a late 18th-century painted and parcel gilt mantle clock from Foster-Gwin Art and Antiques, a Grand Tour cathedral clock from Piraneseum, a 19th-century Empire bronze and Ormolu Night Clock from Mallett Antiques, and a mid-century Danish cabinet clock from Almond + Company.

Loan Exhibition Timeline

A Grand Tour cathedral clock, from Piraneseum

Loan Exhibition timepieces from Shreve & Co.

The Philanthropy Forum 

As always, 100% of net proceeds raised at the show benefit Enterprise for High School Students, the San Francisco nonprofit that prepares and empowers a diverse group of Bay Area youth to pursue life after school with passion and purpose. Enterprise offers students everything they need to get and keep their first job, including intensive workshops, pragmatic skills and career exploration training, a network of advisors and peers, a broad database of paid internships, and college and career counseling.

First Republic Bank and Enterprise hosted the Show's first ever Philanthropy Forum, which saw a marvelous turnout, with attendees eager to learn more about charitable giving and making their donations count. Panelists spoke about philanthropy's role in community change and how they decide what charities to support.

Philanthropy Forum panelist discussing the impact of smart philanthropy

Philanthropy Forum attendees watch an interview with an EHSS Alum

Enterprise students, Gaia and Michelle, serving hors d'oeuvres on Gala night

Looking Forward

As the last hour of the The 2015 San Francisco Fall Antiques Show approached on Sunday evening, Festival Pavilion was still abuzz with art and antiques lovers getting their final fill of the wonderful collections the 2015 group of world-class exhibitors had to offer. But alas, as Shakespeare wrote, "we are time's subjects, and the time bids be gone."

We thank everyone who made it to the Show and look forward to sharing with you another fulfilling year of art, antiques, and design. See you at the 2016 Show! 

Designer Vignettes at the show's entry


Suzanne Tucker, chair of the San Francisco Fall Antiques Show, explains:
“This year, we revived the designers' vignettes at the show entry – designed by Ike Kligerman Barkley -  and it is a true highlight as three creative firms, Fisher Weisman, Allison Caccoma and Geoffrey deSousa showcase the passage of time, and the timelessness of art and antiques.”


Allison Caccoma

With a passion for beautiful objects, antiques, materials and color, Allison Caccoma’s inviting interiors are sophisticated and elegant, yet comfortable and timeless. A lifetime New Yorker who started her professional career in finance on Wall Street, Allison later received a degree from the New York School of Interior Design. Classically trained for many years under the legendary Bunny Williams, this New York designer now resides in San Francisco, where she practices the time-honored, detail driven approach to decorating:

“‘The show's theme Time After Time helps one see, through art and antiques, that what is old truly is new again and most importantly, it is as timeless as can be.  With the theme of the 18th century for my vignette, the walls are wrapped in a bold version of an 18th century British textile design documented at the Victoria and Albert Museum in London – and beautifully manufactured by de Gournay.  By enlarging the scale of the pattern and pairing it with a high gloss graphic painted floor, it instantly becomes contemporary.  Mid-century salon chairs paired with an 18th century cabinet and modern lamp all live quite happily together. The mix is one that will endure the test of time.”


Geoffrey de Sousa

Known for creating interiors that are cosmopolitan and warmly modern, Geoffrey de Sousa brings connoisseurship to each residence his firm designs. Over the past twenty years, De Sousa's projects have included residences for many of the Bay Area's leading entrepreneurs, CEOs and tastemakers and include a San Francisco home by Robert A.M. Stern, a Sonoma B&B and residences throughout the Bay Area, New York, Palm Springs and Boston. Whether a San Francisco Victorian or modern Palm Springs retreat, De Sousa's work embraces both the classic and cutting edge:

“Our moment in time pays homage to the mid-century Brazilian furniture designer Joaquim Tenreiro.  In our vignette his pieces are at home; surrounded by the sculptural Araucaria forest, skillfully hand painted on silk by de Gournay.  The horizontal, spreading branches reference the space age forms iconic to the mid-century period. Tenreiro's language of organic simplicity utilizes native materials such as cane and jacaranda wood, materials that had been overlooked in Brazil for centuries. The coffee table epitomizes this; a thick, tree cross section details the rings of time. With my Portuguese heritage and Great Grandmother being born in Santos, Brazil I gained great interest in the work of Joaquim Tenreiro years ago.”


Fisher Weisman

Originality and enduring beauty are the hallmarks of Fisher Weisman designs. Their interiors, furniture, lighting and textile designs are created on a custom basis in their San Francisco studio. Andrew Fisher and Jeffry Weisman bring over fifty years of design experience to every project. They approach their work with imagination, careful attention to detail, restraint and a wonderful sense of humor:

“ With the theme of Time after Time and the period of Antiquity as our guide, we were inspired by the gilded tapestry (see below) that Andrew recently completed. The rain of golden squares alludes to the passage of time in an hour glass, a perfect reference to the passage of time in antiquity. Our design for the wallpaper being made by de Gournay is inspired by Andrew’s tapestry and is set against a cobalt blue silk sky that evokes a sense of night and fireworks falling from the sky.
Our vignette's furnishings include elegant pieces from Carlton Hobbs that are inspired by antiquity, and a spectacular carpet from Peter Pap Oriental Rugs. A group of hourglasses sits on the center table we designed for Casa Acanto. The fanciful chandelier above is also from our Casa Acanto line. Kathleen Deery Design provided gilded trees and leaves to complete the sense of a nighttime fantasy garden.”


The San Francisco Fall Antiques Show is thrilled to have these three top designers showcasing their unique vision and interpretation of this year's theme. Thank you all!

De Gournay


The San Francisco Fall Antiques Show is delighted to have the sponsorship of de Gournay, manufacturer of exquisite hand crafted wall coverings. The firm was founded in 1986 by Claud Cecil Gurney. After searching for artisans to restore the antique wallpaper in his own home, he discovered that this traditional art was on the verge of disappearing and made it his mission to resurrect it. Traveling to China, he searched out artists whose families had generations of experience and shared the passion for continuing these ancient techniques. While inspiration for de Gournay’s products come from the 17th and 18th centuries, they are equally at home in contemporary settings.

As part of this sponsorship de Gournay has created three completely unique hand painted wallpapers, designed exclusively by three talented and esteemed San Francisco-based interior designers: Fisher Weisman, Allison Caccoma and Geoffrey de Sousa. These wallpapers will be on display in the designers’ vignettes at the main entrance to the show. Each wallpaper corresponds to the theme of each individual vignette: Antiquities, 18th Century and Mid-Century Modern. 


Flowered Damask designed by Allison Caccoma 

Allison Caccoma's vignette - entitled Lounging in the Reflection of the 18th Century - references a textile fragment from theVictoria and Albert museum, which she has completely reinvented and reinvigorated by depicting the design in an unexpected over-sized scale and using a contemporary ‘bas relief’ technique. With this technique, de Gournay was able to raise the damask pattern out of the rose antiqued hand gilded ground to create a 3-dimensional effect. The pattern is then burnished by hand to enhance the drama and depth. 


Mood board:

Final product:



Dancing Araucaria designed by Geoffrey de Sousa 

Geoffrey de Sousa's vignette - entitled Passage of Time - adopts the theme of mid-century modern and pays homage to the mid-century Brazilian furniture designer Joaquim Tenreiro. To provide a context for Joaquim’s pieces, Geoffrey referenced the sculptural Araucaria forests native to Brazil in his design for a hand painted de Gournay silk wallpaper. The horizontal, spreading branches echo the space age forms iconic to the mid-century period. Geoffrey says “With my Portuguese heritage and Great Grandmother being born in Santos, Brazil I gained great interest in the work of JoaquimTenreiro years ago.” 


Mood board:

Final product:



Rainfall designed by Fisher Weisman 

Fisher Weisman, whose vignette theme is Antiquities, have referenced a golden tapestry that Andrew Fisher designed as part of a series of tapestries he has created over the past few years incorporating paper, steel and linen — all dipped in 24 carat Italian gold leaf, sometimes glazed with oil paint. Fisher Weisman say, “These tapestries blend a sense of the ancient and the modern and were inspired by antique textiles (particularly by ancient ceremonial Chinese armor), by music (particularly Eric Satie), and the weather (rain, light snow, and wind).” One of the tapestries directly inspired their design for the lattice effect wallpaper which depicts falling squares, hand gilded by de Gournay in 22 carat gold and 12 carat white gold onto an intense midnight blue silk base. The squares appear to tumble down the silk wallpaper so the vignette is literally dripping in precious gold. 


Mood board:

Final product:


Hannah Cecil Gurney, director of de Gournay, explains: “Working on these three custom projects has been an exciting and extraordinary project for de Gournay that we shall remember for a long time to come.We hope you find these wallpapers as inspiring as we do. Thank you to the talented designers whose visions created them.”

And thank you to de Gournay, for this amazing and absolutely unique contribution to the San Francisco Fall Antiques Show!


Peter Fetterman Gallery


Peter Fetterman has been deeply involved in the medium of photography for over 30 years. Initially a filmmaker and collector, he set up his first gallery over 20 years ago. He was one of the pioneer tenants of Bergamot Station, the Santa Monica Center of the Arts when it first opened in 1994. The Peter Fetterman Gallery has one of the largest inventories of classic 20th century photography in the country, particularly in humanist photography. Diverse holdings include work by Henri Cartier-Bresson, Sebastião Salgado, Steve McCurry, Ansel Adams, Paul Caponigro, Willy Ronis, André Kertesz, Manuel Alvarez Bravo, Lillian Bassman, Pentti Sammallahti, Stephen Wilkes and Jeffrey Conley. Peter and his colleagues are committed to promoting the awareness and appreciation of the most powerful of the mediums in an intimate, user-friendly salon environment. He shares the following about the upcoming show: “The San Francisco Fall Antiques Show has continually been a successful show for us, allowing our gallery to connect with great Bay Area clients. We find that this antiques show tends to have a very sophisticated attendance, mostly connoisseurs with serious and educated knowledge of what we exhibit.”


Sid Avery, Frank Sinatra at a Capital Records Recording Session in Los Angeles, 1958. 
C-Print, 20 x 16 inches. ©Estate of Sid Avery.

“Many of the pieces we are bringing are an extension of our upcoming Frank Sinatra & Audrey Hepburn - A Life in Pictures exhibition that opens in our gallery on November 1, so that will be a highlight of our booth, and I suspect a highlight of the whole show as they are both proven crowd favorites.”


Elliott Erwitt, Marilyn Monroe, New York, 1956.
Platinum print, 30 x 40 in, Ed. Of 12. ©Elliott Erwitt.

“The Elliott Erwitt print of Marilyn Monroe, along with his famous Malibu Kiss image, will be exhibited at the Fall Antiques Show as rare 30x40 limited edition (12) platinum prints of which these are the only remaining copies.”


Ansel Adams, Winter Sunrise, Sierra Nevada from Lone Pine, California, 1944.
Gelatin silver print, 15 x 19 in.

Paul Caponigro, Running White Deer, County Wicklow, Ireland, 1967. 
Signed gelatin silver print. 8 x 20 inches.

“The Ansel Adams and Caponigro prints are rare hand-made silver gelatin gems. These are an exhibition extension as well, following the closing of our current exhibition, American Masters: The Silver Print, honoring the endangered art form of traditional darkroom printing and those who mastered the medium.”


Yousuf Karsh, Georgia O'Keeffe, 1956
Gelatin silver print. 20 x 16 in.

“Yousuf Karsh is arguably the greatest portrait photographer of the 20th Century, and the O'Keeffe print is truly masterful and will be flanked by his iconic portraits of Winston Churchill and Albert Einstein.”


Additional works from Stephen Wilkes, Jeffrey Conley, Ormond Gigli and San Francisco legendary figures Fred Lyon and Ruth Bernhard will also be on display. The Peter Fetterman Gallery will be at booth #38.

Vandeuren Galleries


A passionate collector of French, continental and Beidermeier antiques, Bernard Vandeuren established his antiques store in the heart of Los Angeles in 2002 as a complement to his flourishing fine art frame atelier. His ever-changing collection of exceptional, pedigreed fine French and European and rare antiques from the Louis XV, Regency and Beidermeier periods is carefully curated and hand selected during his trips to Europe:

"We were so impressed with the opening night event and our sales results after last year's show that we couldn't pass up the opportunity to exhibit this year. We organized to have a new shipment of antiques arriving from Europe which will be shown to the public for the very first time at the show."


French Mazarin desk
Multiple inlays of Sycamore, walnut and various precious woods
18th century
W 41.5 inches D 23 inches H 33 inches

“This is a extraordinary desk from France, rare and beautiful, with superb craftsmanship, especially with the sublime inlays with woods like Sycamore.” 


Austrian Armoire/Commode
Multiple walnut inlays
Circa 1760
H 81 inches W 66 inches D 26.5 inches

“A simply magnificent, magistral cabinet from ca. 1760 which features superb wood inlays on the front and side panels, as well as an interior that has never been altered and has kept the extraordinary original hardware.” 


Austrian Dresser/Commode 
Multiple inlays on drawers and top of the chest
Circa 1800
W 49.5 inches H 36 inches D 26.25 inches

“Another masterpiece from the pre-Biedermeier era with a classic charm because of its understated elegance.” 


Portuguese chest
Solid rosewood
19th century

“This superb chest – which comes in two pieces and has doors that open on the side - is quite a remarkable eye catching piece of furniture that would complement both a classic or modern interior.”


Vandeuren Galleries will be at booth #17.

William Siegal Gallery


For over 40 years, William Siegal has assembled the world’s largest collection of Andean Textiles dating from 750 BC to the 19th Century. Ceremonial objects & artifacts from Meso & South American cultures, Ancient Chinese, Southeast Asia, African and Indonesian museum-quality pieces are also represented. The William Siegal Gallery is located in Santa Fe’s dynamic Railyard District, now a major arts destination throughout the world and the central location of Santa Fe’s contemporary art scene. It is a high-concept space that exhibits a distinguished collection of ancient art and artifacts alongside contemporary works of art, a rare opportunity to appreciate art that spans 5,000 years and many different cultures, while inspiring a new collecting sensibility; the remarkable dialogue between the pieces is always surprising and profound.


Here are two San Francisco Fall Antiques Show previews from the William Siegal Gallery:

Feathered Panel
Nasca Culture - Peru
200 - 600 AD
Blue Macaw Feathers on Cotton Ground
90 x 37 inches

Excavated from the well known temple site at Corral Redondo in 1948, this Huari Feathered Panel is one of the most recognizable of all Pre-Columbian feather textiles. With sister examples hanging in museum collections around the world, and numerous appearances in publications on the Huari (or Wari ) Culture, it is an iconic example of Andean workmanship and aesthetics.


Mosaic Mask
Aztec Culture - Meso America
1350 - 1521 AD
Gold, Coral, Turquoise on wood
6 x 5.75 x 2.75 inches

Unlike the ferocious expressions typically portrayed in mosaic masks of the Aztec and Mixtec, this exceedingly rare example - originally collected by Alfred Stendahl in the 1950's - has a very meditative expression with downward gazing eyes and a closed mouth.


William Siegal Gallery will be at booth #55.

James Sansum Fine and Decorative Art


Founded in 2002, James Sansum Fine and Decorative art is located on the upper east side of Manhattan. The gallery offers a diverse selection of American and European furniture and decorative objects, as well as Asian works of art and Old Master drawings, from the eighteenth through the twentieth century. In addition, James Sansum exhibits contemporary art and design, created by a select group of international painters, photographers and sculptors. James Sansum has been a fine art and antiques dealer for more than twenty years. He has written extensively on art and design, and has curated several critically acclaimed exhibitions on European boxes, textiles, and works on paper. With his extensive training and eye for the unusual, Sansum combines a scholarly background with a modern design sensibility to offer an array of truly exceptional pieces.

James states the following on the San Francisco Fall Antiques Show:
“The Fall Antiques Show is an iconic event; the oldest and finest antiques show on the West Coast. I am honored to be included as an exhibitor, and am always amazed by the caliber of beautiful and rare objects, at every price point, on display. In addition, the fact that the show solely benefits a worthy charitable organization, Enterprise for High School Students, makes it doubly important, especially with the glut of art and antiques fairs solely driven by profit.
I play a game at every art and antiques show, whether I am in a buying mood or not. Walking the aisles, as if on a treasure hunt, I look for my favorite pieces, and then, after some contemplation, choose my dream purchase. Sometimes it is a painting by an iconic artist and other times it is a humble object with extraordinary charm. It’s an amusing way to engage the eye and to hone one’s collecting skills. I also recommend that visitors take advantage of the concentrated gathering of experts in the various fields of the fine and decorative arts, namely the exhibiting dealers at the show. Questions are always welcome and free of charge!”

Highlights for the James Sansum offering include:

Shoolbred Cabinet, circa 1875

Made in England in circa 1875, this fine and rare Aesthetic Movement cabinet is ebonized with incised motifs and painted panels on gilded grounds depicting floral and foliate motifs in the Japanese taste as well as architectural motifs in the Pompeiian taste, all of the highest quality. The design is attributed to H.W. Batley (1846-1932), a well known artistic figure in the late nineteenth century. A pupil of Bruce Talbert, Batley produced designs with a distinct Asian influence for textiles and furniture for such well known cabinet markers at Collinson & Lock and James Shoolbred & Co. This cabinet, retaining its original Shoolbred label, is an important and documented example of the Aesthetic taste in England that influenced such American designers as the Herter Brothers and Louis Comfort Tiffany.


Avisseau Charger, circa 1850

Made in France in circa 1850, this rare large Palissy ware charger, depicting reptiles, amphibians and crustaceans, is attributed to Charles-Jean Avisseau (1795-1861). Palissy Ware is a nineteenth century term for ceramics produced in the style of the famous sixteenth century French potter, Bernard Palissy (circa 1510-1590), who popularized a rustic form of ceramic art that has endured to this day. Referring to his own work as “rustique,” Palissy created a distinctive style of polychrome lead-glazed earthenware (majolica) in a somber earth-toned palette, using naturalistic motifs in high relief. He is best known for the grotto he created for Catherine de Medici at Tuileries Palace. His distinctive style of pottery is characterized by three-dimensional animals, often aquatic, such as snakes, fish, lizards, frogs and snails, arranged onto large platters with each component modeled and painted individually. Palissy's slinking lizards, coiled snakes, and scaly fish inspired a bevy of European artisans to reinterpret his work, and energize a revival movement that would last until the end of the nineteenth century. The most important figure in the revivalist movement of the art of Palissy was Charles-Jean Avisseau, whose determination and skill led to the discovery in 1843 of Palissy's lost secrets for glazing and enameling, which created a new enthusiasm for ceramic rustic ware that endured for almost fifty years. His work influenced scores of ceramists across France and well beyond its borders.


Steiner Watercolor, 1810

A noted Swiss painter, draftsman and engraver, Emanuel Steiner first studied painting in Winterthur with J.R. Schellenberg. He also trained in Zurich as an etcher with G.C.F. Oberkogler. In 1796, Steiner moved to Dresden to study under the eminent painter, Anton Graff, at the Academy, where he remained for several years. In 1803, Steiner lived in Rome for some time before moving to Paris, where he worked for several years before returning to Switzerland. His collection of copper engravings was the basis for the Print Room in Winterthur, which holds two oil paintings and several watercolors and drawings by Steiner. This fine still life watercolor, in its original frame, is signed, dated 1810, and included in the artist’s catalogue raisonné. Considered one of Steiner’s finest works, this watercolor depicts flowers in a footed coupe on a stone ledge with many different insects, including butterflies, and a salamander, all drawn with assurance and finesse.


James Sansum Fine and Decorative Art will be at booth #50.