Art Giverny


Art-Giverny internationally buys and sells original nineteenth and twentieth century paintings from renowned French and American artists such as Claude Monet, Blanche Hoschedé Monet, Theodore Earl Butler, Henry Bacon, John Leslie Breck, Samuel Horton, Guy Rose, William Sontag, Dawson-Watson, and many other painters from the School of Rouen including Emile Frechon, Albert Lebourg, Robert Antoine Pinchon and Raymond Thibesart.
Patrick Weil Bertrand, an experienced art dealer and fine art consultant, is the founder of Art-Giverny. A native of Normandy, Mr. Bertrand has been studying American expatriate painters who gravitated towardsClaude Monet including the “Giverny Artists Colony”, primarily Theodore Earl Butler, Edmund William Greacen, Guy Rose and John Leslie Breck. Mr. Bertrand is recognized as the expert on Theodore Earl Butler and Blanche Hoschedé Monet and is currently compiling a Catalogue Raisonné on Butler in collaboration and support with the artist’s descendants. He is also co-curating the 2016 Butler exhibit at the Columbus Museum of Art.

Mr Bertrand states: “Attending the San Francisco Fall Antiques Show is a tribute to San Francisco ’s art, culture and diversity. In light of the hundredth anniversary of the Panama Pacific Exposition in San Francisco, I am presenting paintings by Theodore Earl Butler, an American Post-Impressionist, who exhibited three paintings at that world’s fair. It is also my privilege to exhibit two women artists, Blanche Hoschedé Monet and Mary MacMonnies Low, both central figures within the Impressionist circle.”


Theodore Earl Butler (1861-1936) East River, New York Oil on canvas, 30 x 40 inches Signed Lower Left : T.E Butler 00, 1.1 Date: January 1, 1900

In keeping with the centennial theme, ArtGiverny presents a pivotal painting by Theodore Earl Butler (1861-1936). Theodore Butler set up his easel in New York celebrating the New Year of 1900 with his brush and palette. This American artist painted, over 100 years ago, the first impressionist painting of New York. Until this point in time this work has been in the hands of the descendant of the Hoschedé Monet family. “Butler moved to an upper story or the roof top of a tall building, so as to represent a complete panorama of the city and shore.” (gerdts page 168, Impressionist New York) From that misty and hazy day long ago, the smoke and fog continue to mix together with the brushstrokes to offer the viewer an incredible rendering of the Brooklyn Bridge: an impressionist painting. The viewer can almost feel the chill coming off of the painting and visualize the artist in front of it, with the wind whipping through his hair and his lapels flapping. It is an homage to the industrialization of the East River where steamboats and sailboats meet in time.


Blanche Hoschedé Monet(1865-1947) Grainstack in Giverny, 1889 Oil on canvas, 10.63 x 13.78 inch Signed Lower Left : B. Hoschedé Monet

This is an extraordinary Impressionist painting done in July 1889. It is one-of-a-kind as it is immediately recognizable as a “Monet haystack,” due to its subject matter and the time of the day in which it is painted. There are few pieces available like this one. Blanche Hoschedé painted right next to Claude Monet. In this painting we are tempted to say that the student has reached the level of her master. Claude Monet's art dealer Durand-Ruel purchased a "Haystack" by Blanche Hoschedé Monet, which is presently hanging in Claude Monet's house in Giverny. Blanche Hoschedé Monet captures the scintillating sunset in a view to the southwest towards the hills of Giverny. The light floods the scene and is palpable. The interaction of light and color in the sky and in the grain stack creates a festival of orange, yellow brown and golden hues, creating a theatrical vision of a summer evening in Giverny.

Art Giverny will be at booth #40.

T. Reggiardo Antiques


T. Reggiardo Antiques, located in the Presidio Heights neighborhood of San Francisco since 1998, specializes in 18th and 19th century English and Continental furniture and works of art. The shop also carries select pieces of 20th century furniture and art. The owner, Tom Reggiardo, has been in the antiques trade for more than 30 years. He is a member of the Antique Dealers Association of California, which was founded in 1924 and whose members pledge "integrity and fairness in the buying and selling of antiques."

Tom states: "The San Francisco Fall Antiques Show is truly inspiring and paramount to the antique, art and design communities and collectors worldwide. I look forward to this show every year knowing a unique and edifying experience awaits all who attend."


Here's a Fall Antiques Show preview from T. Reggiardo Antiques:

Pair of 19th Century English Tole Coffee Bins 

“These rare and beautifully decorated tole bins connect the ritual of coffee from past to present. Having an eclectic mix of antiques has always been foremost to my collection.”


19th Century German Biedermeier Cabinet 

“With a French polished finish over the rich mahogany, this cabinet has classic lines and is very versatile.”


20th Century French Wrought Iron and Alabaster Chandelier 

“This chandelier has a wonderful hand wrought iron organic leaf and vine form design. Unique and one of a kind. Just the right amount of style to work in a modern interior as well as in a vintage home.”


Mid-19th Century French Cast Iron Safe 

“I love the industrial look of this cast iron safe. To imagine what treasured items and documents it has held is part of its secret history.”


T. Reggiardo Antiques will be at booth #47.

Montgomery Gallery & Modern


Montgomery Gallery & Modern is a leading international art gallery in San Francisco specializing in nineteenth and twentieth century European and American painting with a focus on the art of California and  on Post War/Contemporary works.
Montgomery Gallery & Modern's senior vice president Richard Kolosky highlights the following previews:


Old Chinatown in San Francisco by Louis Comfort Tiffany 
Signed Louis C. Tiffany and dated '08, lower left
Watercolor on paper 
20 3/8 x 28 ½ inches, frame size 32 x 40 inches

“Probably developed during his 1888 visit to San Francisco and completed in 1908 following the 1906 earthquake, Louis Comfort Tiffany chose this work to represent his abilities as a watercolorist by entering into the prestigious 1909 American Watercolor Society, Forty-Second Annual Exhibition, N.Y., where it was titled Old Chinatown in San Francisco. It is in an exquisite Stanford White water gilt frame made by Newton-Macklin.”


Nude Seated on a White Towel by a Windy Sea, with Scallop Shells at Her Side by Serge Ivanoff 
(Russian, 1893 – 1983)
Signed and dated lower left Serge Ivanoff, Paris 1933
Oil on canvas
28 ½ x 23 inches

“At the age of ten, Serge Ivanoff attended the L’École des Beaux Arts, Moscow, then The Imperial Academy of Arts St Petersburg where he completed his degree. In 1917 Serge with his family escaped from the Russian Revolution to Paris where he found an extraordinary community of ex-patriate Russian artist, musicians, dancers, etc. Painted in 1933 in Paris, this work was exhibited at his one-man show at the Palace of the Legion of Honor in 1954.”


Bather and Mermaid with Pearl by Arthur F. Mathews
(American, 1860–1945)
Oil on panel
Unframed: 21 x 18 inches, framed: 31 ½ x 28 ½ inches

“The most important artist in San Francisco during the last quarter of the 19th C. and first quarter of the 20th C., Mathews was known for his figurative works depicting mythological scenes, most of which are in museum collections.”


Les Gabelous (The Customs Officers) by Henry Moret
(French, 1856-1913)
Signed and dated l/l: Henry Moret (18)91
Oil on canvas
Unframed: 18 7/8 x 24 ¾ inches, framed: 30 x 36 ½ inches

“Following fellow artist Paul Gaugin, Emil Bernard, etc. Henri Moret moved to the artists' community in Pont-Aven, Britanny in 1888 to capture the spirit of this remote wild peninsula ravaged by the wild Ocean Atlantique. Painted just three years after he moved there, this work captures the influence of his fellow artists, especially Monet who was also fascinated by the special light and colors of the red granite meeting the blue sea.”


Crique en Provence (Paysage en Provence) by Pierre-Auguste Renoir
(French, 1841-1919)
Oil on canvas
5 x 13 inches

“The South of France was a happy warm refuge from the damp cold of Paris for Renoir and his wife, Aline Victorine. Their first home in Cagnes-sur-Mer on the Côte d'Azur was the second floor of La Poste, pictured here. Renoir painted a number of similar views including one of identical size and subject, donated by Ailsa Mellon Bruce to the National Gallery of Art in Washington, D.C.”


Montgomery Gallery & Modern will be at booth #19.

The Philadelphia Print Shop West


The Philadelphia Print Shop West, located in Denver, Colorado, is one of the country's leading purveyors of antique maps and prints. The shop exhibits a full range of natural history, Americana, historical, sporting, and topographical prints, as well as maps of all parts of the world. They have a particularly strong inventory of prints and maps with a Western subject, such as prints of Native Americans and views and maps of the American West. Rare and reference books are also available.

The shop is owned and operated by Christopher W. Lane: 
“I have been exhibiting at antique shows for 33 years, from Maine to Florida, and Houston to San Francisco, and the San Francisco Fall Antiques Show certainly rates as one of my all-time favorites. The setting is, of course, unique and spectacular, but the show itself is one of the most exciting and varied shows anywhere in the country. The exhibitors range from the historical - the niche we fill - to the decorative, from antiques - like our prints and maps - to more modern items of amazing quality. A visit to the SFFAS is like going to one of the great collections in the country, but with the added benefit that you can take the items on display home with you!”


Here are a few previews from The Philadelphia Print Shop West:

Johann Baptist Homann. \"Geographische Universal-Zeig und Schlag-Uhr.\" 
Nuremberg: J.B. Homann, ca. 1730. 19 x 22 1/2.
Engraving. Original color. Very good condition.

“This is a terrific image of a lock built by Zacharias Landteck which combined time-telling with a map of the world indicating how the sun revolves and affects times and light around the globe. The map shows the northern hemisphere as best known at the time, with both the correct details and cartographic mistakes, such as California as an island!”


Albert Bierstadt. \"The Rocky Mountains, Lander\'s Peak.\" New York:
Edward Bierstadt, 1866. Steel engraving by James  Smillie. 
16 1/2 x28. Excellent condition.

“Albert Bierstadt was one of the great 19th century painters of the American West and this is his iconic image of the Rocky Mountains. The painting traveled around the country and Bierstadt had an engraving made of the painting to help publicize his work and to make money through its sales. One of the classic 19th century images of the West.”


John B. Bachelder. \"Gettysburg Battle-Field.\" 
New York: Endicott & Co., 1863. 21 x 36. 
Lithograph. Original hand coloring. Some light staining in margins and spot in sky. Otherwise, very good condition.

“One of the great images of the Civil War, this bird's eye view shows not only the topography of Gettysburg, but also the position of the various troops throughout the battle. Bachelder spent many months studying the landscape and talking to participants, making an amazingly accurate image of the battle, as attested to by the endorsements by various officers in the margin.”


The Philadelphia Print Shop West will be at booth #48

Celebratory Cocktails at Carlton Hobbs


On September 10, Carlton Hobbs and Ike Kligerman Barkley invited friends, colleagues and fellow antique aficionados to raise a glass in honor of the upcoming San Francisco Fall Antiques Show. This festive gathering took place at the spectacular Carlton Hobbs New York headquarters - formerly the Virginia Graham Fair Vanderbilt Mansion. Carlton Hobbs specializes in in 17th through 19th century British and continental furniture and works of art, many of which will be exhibited at their booth during the upcoming San Francisco Fall Antiques Show.
Guests were warmly welcomed with a few words by Stefanie Rinza, business partner of Carlton Hobbs, Suzanne Tucker, chair of the San Francisco Fall Antiques Show, Ariane Trimuschat, director of the San Francisco Fall Antiques Show, and Tom Kligerman and John Ike, partners at Ike Kligerman Barkley, who have designed the entry for this year's Fall Antiques Show.

The San Francisco Fall Antiques Show would like to thank Carlton Hobbs and Ike Kligerman Barkley for hosting this wonderful and memorable evening.


Here are a few highlight images of the evening – all photographs by Cutty McGill:

John Ike, Carlton Hobbs, and Tom Kligerman


Stefanie Rinza, Tom Kligerman, Ariane Trimuschat, and Katherine Jacobus


Suzanne Tucker, Carlos Picon, and Stefanie Rinza


John Ike, Stacey Bewkes, Tom Kligerman, and Newell Turner


Keith Granet and Suzanne Tucker


Tom Kligerman and Michael Boodro


Janice Parker, Meg Touborg, and Linda London


Clinton Howell and John Smiroldo


Lithgow Osborne, Ariane Trimuschat, and Michael Pashby


Vladimir Turkeltaub and Valdimir Kanevsky


John Danzer, Helen Fioratti, and Tiffany Tang


Emily Clinton, Clinton Howell, Anne Harris, and Ralph Harvard


Jamie Johnson and Bryant Keller


Scott Wakeman, Lance Haeberle, John Ike, Keith Granet, and Nicholas Stern


Carlton Hobbs New York

J.R. Richards Asian Art


Joey Richards is one of the pre-eminent Asian art dealers on the west coast, specializing in ancient Chinese ceramics, in addition to contemporary ceramics from Japan.

Joey offers the following San Francisco Fall Antiques Show previews:

Five Porcelain Vessels by Masaru Nakada (from 8” to 17”)

After throwing an essential form on the wheel, Nakada (Japan, born 1977) will carve out his sleek forms using a blade used for faceting porcelain. After carving, he applies a mixture of glaze and pigments onto the surfaces of his work, and then takes time to etch thin lines upon the surfaces of his works with a metal pin, essentially dulling the blade after 15 lines. After this process, Nakada embeds into each line a color – for example pastel reds, blues, yellows and black that are matte and subdued in a form of ‘zogan’ inlaying. Incredibly, the work is not bisque-fired, and is ultimately fired in a single main firing at a temperature of approximately 1230 to 1240 degrees Celsius for 11 hours. Nakada’s works are thematic, vivid, and ultimately, contemporary porcelain energized with the pop sensibilities of Japanese youth culture.


Porcelain Moon Jar by  Kim Yik-Yung (22” tall)

“White porcelain represents Koreans. In the old days, Korean used to wear all white.”
One of Korea’s most respected ceramic artists, Kim Yik-Yung (Korea, born 1935) has been a pioneer in the ceramic arts. With over five decades of work, she has striven endlessly to bring Korea’s ceramic heritage into the modern world. Her work, inspired by the pure white baekja (“white porcelain”) of the Joseon Dynasty (1397-1592), has been lauded worldwide for its harmonization of tradition and modern sensibilities.


J.R. Richards Asian Art will be at booth # 46.

Clinton Howell Antiques


Clinton Howell, purveyor of exceptional English antique furniture declares the following:

“The San Francisco Fair is, as far as I am concerned, one of the premiere shows of the year, let alone the fall season. There has always been a strong emphasis on the antique decorative arts at the San Francisco Fall Antiques Show and so it is tailor made for dealers like myself who sell English antique furniture. Almost every exhibitor I know in the show makes a particular effort in bringing items that are unique.”

Among Clinton's favorite pieces are:

A neo-classical stripped pine bookcase, circa 1770

“The style of the piece is neo-classical, a term whose definition is fairly imprecise because the neo-classical period covers from 1760-1840. This superbly proportioned bookcase is early neo-classical, probably made around 1770. The English furniture trade at this time was increasing in size, though not in quality as many new makers did not bother with the traditional seven-year apprenticeship which allowed them to make things for less money (they were known as the dishonorable trade for this practice). Hence, the year 1770 is an interesting time period, early enough for the great bespoke makers such as Chippendale, Mayhew and Ince and John Linnell to still be practicing, but also the time when new cheaper makers were fulfilling the orders for the new and multitudinous middle class. My bookcase is clearly by a bespoke maker, a detail that is easily determined by looking at the quality of the carving. It is likely that it was painted in pastel colors. Aside from the first rate carving, one of the more interesting features are the pewter cut-outs on an ebonized background. Here you can see the direct influence of Josiah Wedgwood who was intrigued with including black (basalt) as a background to painted decoration. I would not be surprised if this cabinet was not initially designed to display Wedgwood porcelain.”


A pair of painted and gilt arm chairs:

“These arm chairs with their blue upholstery are also neo-classical, but of a slightly later date. Neo-classicism went through several convolutions, the first being Robert Adam inspired, the next being a French-based neo-classicism which was devoid of all carving with quite severe lines and just a few curves that always had interesting molding profiles. These chairs were made for the boudoir as they are slightly lower with a 15” seat height than most drawing room chairs.”


An oval rococo mirror

“Rococo furniture, one of the styles that preceded the neo-classical style, was a style of profusion that was meant to alter the way you saw furniture. Instead of a mirror frame looking like a church façade with a strong pediment and baroque details, the mirror such as mine with the oval plate and the pair of apposing ho-ho birds, has a softer edge. It is designed not to make you think of the function of the piece, but of decoration. It is similar to the difference between a flower display and an architectural model, pastoral and nature focused and not pragmatic and patterned.”


A Gainsborough style chair, circa 1765

“The baroque style of English furniture was the nation’s first truly English inspired design. Although the elements of baroque are universal, the English interpretation struck its own chord by the mid 1730’s. Change, however, was inevitable as time and style move constantly. The gilded open armchair, also known as a Gainsborough style chair, dates around 1765. What does this chair owe to the baroque influence? Specifically, it is the proportions, the height, width and depth of it, and how the chair sits or the way it looks. Take away the carving and pretend that it is not gilded and you could have a walnut Gainsborough from 1745. However, the decoration is later and that is what determines the date of the chair. In particular, the bellflower garlands across the front are soon to become a standard decorative feature of much neo-classical furniture. All of this is interesting, but I would say that the best feature of the chair is how comfortable it is. That is truly the test of great design.”


Clinton Howell Antiques will be at booth #22.

Mallett Antiques


Mallett is one of the oldest established antique dealers in the world, specializing in the finest pieces of furniture and works of art, including pictures, clocks and other high quality objets d'art, primarily from the 18th century and Regency periods. For over 100 years Mallett has been sourcing important antiques with impeccable provenance for private collectors and the great museums of the world, including the Victoria & Albert Museum in London and The Metropolitan Museum of Art in New York.

Andrew Ogletree, Assistant Vice President and Head of Sales in the Mallett New York Gallery, and Justin Evershed-Martin, Director, highlight the following three items:


A fine silk and wool Soho tapestry attributed to Joshua Morris, after a design by Andien de Clermont.
England, circa 1725.


English tapestries of the eighteenth century are commonly known by the generic title of Soho tapestries, as opposed to those of the 17th century which were mostly woven in Mortlake. An integral part of domestic decoration in the grandest house for centuries the fashion began to wane towards the mid-eighteenth century and the textiles created in and around Soho between 1700 and c 1740 represent a last highpoint of the craft in England.
As with most English furniture contemporary to the tapestry, few pieces were signed, and it is often hard to distinguish between the different workshops. This tapestry is one of a series that is important primarily for its quality but also for the homogeneity of the pieces and the ability to ascribe them all to one prominent weaver, Joshua Morris, whose signature appears on several examples.

Lionel Harris, The Spanish Art Gallery, London
Mrs John E. Rovensky, until sold Parke-Bernet Galleries, New York, 22 January 1957 lot 1018.
with French and Co.
Mrs Hamilton Rice, until sold Parke-Bernet Galleries, New York, 23 October 1965, lot 343.
with Ian Hastie, Grosvenor House Antiques Fair
An important private UK collection.


An early 19th century Empire Clock by Bofenschen
France, circa 1820.

An early 19th century bronze and ormolu night clock, the enamel face signed Bofenschen a Paris with Roman numerals set into a classical vase with lions head handles the reverse with glass projection lens, the main body with ormolu ornamentation supported on a bronze plinth with large ormolu starburst.
This very unusual clock is designed to be used both during the day and at night. The vase contains an oil reserve and wick that can be lit at night which projects the time through an adjustable lens in the reverse. The gilded finial is removed to act as a chimney for the flame.
Bofenschen was an expert clock maker and inventor who flourished in Paris between 1780 when he was first recorded and 1813 when he was last recorded working in the Rue de Temple during which time he worked alongside arguably the greatest of all French horologists Abraham Louis Breguet (1747-1823).


Carina, by Klauser and Carpenter, England, circa 2010

Carina is an elegant marble dining table, sitting up to twelve guests, designed by Klauser & Carpenter. The table blends the fluid aesthetic of maritime architecture with the sculptural purity of classic Carrara marble. The fusion of these two opposed natural elements, water and stone, graces Carina with a poised and serene sense of poetry.

Mallett Antiques will be at booth #33

The Cicero Collection


Built over two generations, and continuing to grow to this day, The Cicero Collection is a carefully curated selection of furniture, objects, and works of art that seeks beauty in all its forms. Spanning millennia, continents, and cultures, the pieces in the collection seek to connect the human experience through a shared aesthetic. 

Here's a preview of some of those pieces, as shared by Jonathan Tung from The Cicero Collection:


A Gold Floriform Hairpin, Song Dynasty (960 - 1279), China


“This is an extremely rare and masterfully crafted Song Dynasty seven prong double hairpin. Worked entirely in gold, each of the seven prongs is composed of a pair of joined tubular stems carved with a floral and foliate design, surmounted by hexagonal bezel, and capped with a floral spray. A narrow band engraved with an archaic geometric pattern runs the width of the pin.
To me, what makes this piece remarkable is that, although the name of the lady who originally owned this hairpin is lost to history, her ideals of beauty, grace, and refinement all live on through this one cherished item.”


A Pair of Gold and Ruby Inset Armbands, Minangkabau People
Region of Batu Sangkar, West Sumatra, Indonesia
Late 19th century


“ Known as gelang gadang, these armbands would originally have been part of the wedding regalia for a bride from a wealthy and prominent family, then passed down from mother to daughter, as property in Minagkabau culture is passed down matrilineally.”


The Cicero Collection will be at booth #32.

Art and Antiques in the Digital Age


Now in our 34th year, the Fall Antiques Show has seen a great deal. Some of the most important art and antiques dealers in the world have graced our aisles. Collectors and lovers come each year to support the important work of Enterprise for High School Students and to see and buy the beautiful objects for sale over four days at Fort Mason.  

When we look back at the earliest catalogues from the 1980s, they seem almost antique themselves!  Since our first show in 1981, The Fall Antiques Show has had a strong tradition and a dedicated following, but there is always room for some change. This year we are embracing the digital age, starting with the re-design of our website, which features (for the first time) many images from the show, to give a better look at the people, the programs and most importantly the art and antiques on the floor. 

We also have teamed with EventBrite to offer a simpler way to purchase tickets for the Preview Gala, the show and the Lecture Series. All tickets can be printed at home or sent to your mobile device. 

We have a great show in store for 2015 and hope to see you all there!